<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-3148005131269579056</id><updated>2012-02-20T22:48:20.218-08:00</updated><title type='text'>Let's Talk Men, A Literary Evening</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://letstalkmen.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3148005131269579056/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://letstalkmen.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>B. Logger Head</name><uri>http://www.blogger.com/profile/03314634313551094513</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>2</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-3148005131269579056.post-5105672600193344473</id><published>2007-12-02T00:29:00.000-08:00</published><updated>2007-12-02T00:47:51.695-08:00</updated><title type='text'></title><content type='html'>&lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-family: Frutiger-Roman;"&gt;Let’s Talk Men&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="font-family: Frutiger-Roman;"&gt;A LITERARY EVENING&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="font-family: Frutiger-Roman;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="font-size: 10pt; font-family: Frutiger-Roman;"&gt;IN COLLABORATION WITH&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="font-size: 10pt; font-family: Frutiger-Roman;"&gt;ZUBAAN&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="font-size: 10pt; font-family: Frutiger-Roman;"&gt;M.L. BHARTIA AUDITORIUM,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;st1:city&gt;&lt;st1:place&gt;&lt;span style="font-size: 10pt; font-family: Frutiger-Roman;"&gt;ALLIANCE&lt;/span&gt;&lt;/st1:place&gt;&lt;/st1:City&gt;&lt;span style="font-size: 10pt; font-family: Frutiger-Roman;"&gt; FRANÇAISE&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="font-size: 10pt; font-family: Frutiger-Roman;"&gt;DE &lt;/span&gt;&lt;st1:city&gt;&lt;st1:place&gt;&lt;span style="font-size: 10pt; font-family: Frutiger-Roman;"&gt;DELHI&lt;/span&gt;&lt;/st1:place&gt;&lt;/st1:City&gt;&lt;span style="font-size: 10pt; font-family: Frutiger-Roman;"&gt;,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="font-size: 10pt; font-family: Frutiger-Roman;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="font-size: 10pt; font-family: Frutiger-Roman;"&gt;72 &lt;/span&gt;&lt;st1:city&gt;&lt;st1:place&gt;&lt;span style="font-size: 10pt; font-family: Frutiger-Roman;"&gt;Lodi&lt;/span&gt;&lt;/st1:place&gt;&lt;/st1:City&gt;&lt;span style="font-size: 10pt; font-family: Frutiger-Roman;"&gt; Estate, &lt;/span&gt;&lt;st1:city&gt;&lt;st1:place&gt;&lt;span style="font-size: 10pt; font-family: Frutiger-Roman;"&gt;New Delhi&lt;/span&gt;&lt;/st1:place&gt;&lt;/st1:City&gt;&lt;span style="font-size: 10pt; font-family: Frutiger-Roman;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;st1:date year="2007" day="8" month="12"&gt;&lt;span style="font-size: 10pt; font-family: Frutiger-Roman;"&gt;8 December 2007&lt;/span&gt;&lt;/st1:date&gt;&lt;span style="font-size: 10pt; font-family: Frutiger-Roman;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="font-size: 10pt; font-family: Frutiger-Roman;"&gt;6.00 Pm&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="font-size: 10pt; font-family: Frutiger-Roman;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;i&gt;&lt;span style="font-size: 10pt; font-family: Minion-Italic;"&gt;A man would never set out to write a book on the peculiar situation of the human male. But if I wish to define myself, I must first of all say: ‘I am a woman’; on this truth must be based all further discussion. A man never begins by presenting himself as an individual of a certain sex; it goes without saying that he is a man.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="font-size: 10pt; font-family: Minion-Regular;"&gt;Simone de Beauvoir,&lt;/span&gt;&lt;i&gt;&lt;span style="font-size: 10pt; font-family: Minion-Italic;"&gt; The Second Sex&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="font-size: 10pt; font-family: Minion-Regular;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="font-size: 10pt; font-family: Minion-Regular;"&gt;For many years, feminist writers, scholars and thinkers have considered the complex relationship between gender and writing, between the physical and the writerly self, between the personal and the political spheres, between the private and the public domains. This has given rise to a rich and wide body of &lt;span style=""&gt; &lt;/span&gt;literature– and criticism – that focuses on women’s writing. However, it is only recently that these kinds of questions are being addressed &lt;/span&gt;&lt;i&gt;&lt;span style="font-size: 10pt; font-family: Minion-Italic;"&gt;vis a vis &lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; font-family: Minion-Regular;"&gt;men’s writing and masculinity. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="font-size: 10pt; font-family: Minion-Regular;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="font-size: 10pt; font-family: Minion-Regular;"&gt;Since simone de Beauvoir wrote &lt;/span&gt;&lt;i&gt;&lt;span style="font-size: 10pt; font-family: Minion-Italic;"&gt;The Second Sex &lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; font-family: Minion-Regular;"&gt;in 1949, however, the ‘peculiar situation of the human male’ is something that some male writers have set out to write about, and it is this gendered understanding of a writer’s work and identity which this panel will focus upon. Creative writing is – perhaps more than anything else – a voyage out of the narrow confines of one’s own experience: it involves imagination, empathy, and an openness to otherness. Is gender a limitation or a springboard? Do women and men write differently, and if so, why and how? Do readers read male and female authors differently? And what changes when those expectations are overturned? Is it possible for women to write of the ‘inner worlds’ of men? And vice versa? And how do class, nationality and cultural location intersect with those of gender?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="font-size: 10pt; font-family: Minion-Regular;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="font-size: 10pt; font-family: Minion-Regular;"&gt;Many women writers baulk at the idea of being pigeonholed by their gender. “I’m just a writer,” they say, not a woman writer.” Should the term be done away with – in the same way as ‘woman doctor’, ‘woman scientist’, ‘poetess’ or ‘actress’? How would men feel if their literature was termed ‘men’s writing’?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="font-size: 10pt; font-family: Minion-Regular;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="font-size: 10pt; font-family: Minion-Regular;"&gt;It is telling that the first hit that you get searching for ‘men’s writing’ on the internet is “men’s writing instruments” where you can browse for a $265 silver ballpoint pen; and ‘men’s literature’ immediately directs you to gay men’s literature. Search for under ‘women’s writing/literature has, as you can imagine, very different results.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="font-size: 10pt; font-family: Minion-Regular;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;i&gt;&lt;span style="font-size: 10pt; font-family: Minion-Italic;"&gt;Let’s Talk Men &lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; font-family: Minion-Regular;"&gt;seeks to break through a different kind of silence. &lt;span style=""&gt; &lt;/span&gt;Not the silences of oppression or marginalisation that have dogged women over the years, but the tacit assumption that unless a man is gay, or black, or otherwise ‘marked’ as being an outsider, that his gender is simply irrelevant, that it is the ‘norm’ against which all others are judged.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="font-size: 10pt; font-family: Minion-Regular;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;st1:city&gt;&lt;st1:place&gt;&lt;span style="font-size: 10pt; font-family: FrutigerRoman;"&gt;READINGS&lt;/span&gt;&lt;/st1:place&gt;&lt;/st1:City&gt;&lt;span style="font-size: 10pt; font-family: FrutigerRoman;"&gt; AND CONVERSATION WITH:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="font-size: 10pt; font-family: FrutigerRoman;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="font-size: 10pt; font-family: FrutigerRoman;"&gt;RANA DASGUPTA&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="font-size: 10pt; font-family: FrutigerRoman;"&gt;ANJUM HASAN&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="font-size: 10pt; font-family: FrutigerRoman;"&gt;MUKUL KESAVAN&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="font-size: 10pt; font-family: FrutigerRoman;"&gt;GEETANJALI SHREE&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3148005131269579056-5105672600193344473?l=letstalkmen.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://letstalkmen.blogspot.com/feeds/5105672600193344473/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3148005131269579056&amp;postID=5105672600193344473' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3148005131269579056/posts/default/5105672600193344473'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3148005131269579056/posts/default/5105672600193344473'/><link rel='alternate' type='text/html' href='http://letstalkmen.blogspot.com/2007/12/lets-talk-men-literary-evening-in.html' title=''/><author><name>B. Logger Head</name><uri>http://www.blogger.com/profile/03314634313551094513</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3148005131269579056.post-5509585404414825376</id><published>2007-11-30T00:53:00.000-08:00</published><updated>2007-12-02T00:54:13.263-08:00</updated><title type='text'>Profiles of Writers</title><content type='html'>&lt;p class="MsoNormal"&gt;&lt;strong&gt;&lt;span style="font-size: 14pt; font-family: Garamond;"&gt;Anjum Hasan&lt;/span&gt;&lt;/strong&gt;&lt;span style="font-size: 14pt; font-family: Garamond;"&gt;'s new novel, &lt;em&gt;&lt;span style="font-family: Garamond;"&gt;Lunatic in my Head&lt;/span&gt;&lt;/em&gt;, is published by Zubaan and Penguin Books, and her collection of poetry, &lt;em&gt;&lt;span style="font-family: Garamond;"&gt;Street on the Hill&lt;/span&gt;&lt;/em&gt;, was published by Sahitya Akademi. She is based in &lt;/span&gt;&lt;st1:city&gt;&lt;st1:place&gt;&lt;span style="font-size: 14pt; font-family: Garamond;"&gt;Bangalore&lt;/span&gt;&lt;/st1:place&gt;&lt;/st1:City&gt;&lt;span style="font-size: 14pt; font-family: Garamond;"&gt; and works for 'India Foundation for the Arts'. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size: 14pt; font-family: Garamond;"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;strong&gt;&lt;span style="font-size: 14pt; font-family: Garamond;"&gt;Mukul Kesavan&lt;/span&gt;&lt;/strong&gt;&lt;span style="font-size: 14pt; font-family: Garamond;"&gt; is a historian, critic, writer and cricket enthusiast. He teaches at Jamia Milia. His non-fiction writing includes &lt;em&gt;&lt;span style="font-family: Garamond;"&gt;Men in White&lt;/span&gt;&lt;/em&gt; about cricket, and his new book, &lt;em&gt;&lt;span style="font-family: Garamond;"&gt;Ugly Indian Men &lt;/span&gt;&lt;/em&gt;, is published by Black Kite, an imprint of Permanent Black. He is also the author of the critically acclaimed novel, &lt;em&gt;&lt;span style="font-family: Garamond;"&gt;Looking Through Glass&lt;/span&gt;&lt;/em&gt;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size: 14pt; font-family: Garamond;"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;strong&gt;&lt;span style="font-size: 14pt; font-family: Garamond;"&gt;Geetanjali Shree&lt;/span&gt;&lt;/strong&gt;&lt;span style="font-size: 14pt; font-family: Garamond;"&gt; is a well-known Hindi novelist and short story writer. She has four novels and several short story collections to her credit as well as a critical work on Premchand. Her novels, &lt;em&gt;&lt;span style="font-family: Garamond;"&gt;Mai&lt;/span&gt;&lt;/em&gt; and &lt;em&gt;&lt;span style="font-family: Garamond;"&gt;The  Roof Beneath My Feet&lt;/span&gt;&lt;/em&gt; have appeared in English translation with Zubaan. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size: 14pt; font-family: Garamond;"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;strong&gt;&lt;span style="font-size: 14pt; font-family: Garamond;"&gt;Rana Dasgupta&lt;/span&gt;&lt;/strong&gt;&lt;span style="font-size: 14pt; font-family: Garamond;"&gt;'s debut novel, &lt;em&gt;&lt;span style="font-family: Garamond;"&gt;Tokyo Cancelled&lt;/span&gt;&lt;/em&gt;&lt;span style="color: black;"&gt;, was shortlisted for the John Llwellyn Rhys Prize and the Hutch Crossword Book Award, and has been translated into nine languages.  Rana grew up in the &lt;/span&gt;&lt;/span&gt;&lt;st1:country-region&gt;&lt;st1:place&gt;&lt;span style="font-size: 14pt; font-family: Garamond; color: black;"&gt;UK&lt;/span&gt;&lt;/st1:place&gt;&lt;/st1:country-region&gt;&lt;span style="font-size: 14pt; font-family: Garamond; color: black;"&gt; and now lives in &lt;/span&gt;&lt;st1:city&gt;&lt;st1:place&gt;&lt;span style="font-size: 14pt; font-family: Garamond; color: black;"&gt;Delhi&lt;/span&gt;&lt;/st1:place&gt;&lt;/st1:City&gt;&lt;span style="font-size: 14pt; font-family: Garamond; color: black;"&gt;, where he is currently at work on a novel about the history of daydreams in &lt;/span&gt;&lt;st1:country-region&gt;&lt;st1:place&gt;&lt;span style="font-size: 14pt; font-family: Garamond; color: black;"&gt;Bulgaria&lt;/span&gt;&lt;/st1:place&gt;&lt;/st1:country-region&gt;&lt;span style="font-size: 14pt; font-family: Garamond; color: rgb(51, 0, 51);"&gt;.&lt;br /&gt; &lt;!--[if !supportLineBreakNewLine]--&gt;&lt;br /&gt; &lt;!--[endif]--&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3148005131269579056-5509585404414825376?l=letstalkmen.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://letstalkmen.blogspot.com/feeds/5509585404414825376/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3148005131269579056&amp;postID=5509585404414825376' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3148005131269579056/posts/default/5509585404414825376'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3148005131269579056/posts/default/5509585404414825376'/><link rel='alternate' type='text/html' href='http://letstalkmen.blogspot.com/2007/11/profiles-of-writers.html' title='Profiles of Writers'/><author><name>B. Logger Head</name><uri>http://www.blogger.com/profile/03314634313551094513</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry></feed>
